English 465/565

Faulkner and the South

Spring 2008
Catherine Gunther Kodat
Root 104
office phone: 859-4341
ckodat@hamilton.edu


Required texts:

William Faulkner:
The Sound and the Fury (Norton Critical Edition; 1929)
As I Lay Dying (1930)
Sanctuary
(1931)
Absalom, Absalom! (1936)
Go Down, Moses (1942)

Frances Newman
The Hard-Boiled Virgin (1926)

Eudora Welty
Delta Wedding (1946)

Ralph Ellison
Invisible Man (1952)

Cormac McCarthy
The Orchard Keeper (1965)

Toni Morrison
:
Song of Solomon (1977)
Beloved (1987)

Randall Kenan
A Visitation of Spirits (1989)
 
The critical essays are available on electronic reserve.
 


Week 1

Wednesday, 1/23: explanation of the course's structure; biographical and historical information about Faulkner and the U.S. South; sign-up for presentations

Week 2

Wednesday, 1/30: The Sound and the Fury; presentation of "Time in Faulkner: The Sound and the Fury," by Jean-Paul Sartre (reprinted in Norton edition)

Week 3

Wednesday, 2/6: As I Lay Dying; presentation of "Death, Grief, Analogous Form: As I Lay Dying," Faulkner: The House Divided, by Eric J. Sundquist (Baltimore: Johns Hopkins University Press, 1983), 28-43.

Week 4

Wednesday, 2/13: Sanctuary; presentation of " 'Man Enough to Call You Whore': And Daddy Makes Three in Sanctuary," by John N. Duvall. Faulkner's Marginal Couple: Invisible, Outlaw, and Unspeakable Communities (Austin: University of Texas Press, 1990), 59-80.

Week 5

Wednesday, 2/20: Absalom, Absalom!

Week 6

Wednesday, 2/27: Absalom, Absalom!; presentation of " 'Some Trash Myth of Reality's Escape': Romance, History, and Film Viewing in Absalom, Absalom!," by Peter Lurie. American Literature 73:3 (September 2001), 563-97.

Week 7

Wednesday, 3/5: Go Down, Moses; presentation of "Touching Race in Go Down, Moses," by John T. Matthews. New Essays on Go Down, Moses, Linda Wagner-Martin, ed. (Cambridge: Cambridge University Press, 1996), 21-47.

Week 8

Wednesday, 3/12: The Hard-Boiled Virgin; presentation of "Southern Women Writers and the Beginning of the Renaissance," by Carol S. Manning, and "Frances Newman," by Miriam J. Shillingsburg. The History of Southern Women's Literature. Carolyn Perry and Mary Louise Weaks, eds. (Baton Rouge: Louisiana State University Press, 2002), 242-89; 354-58.

Spring Break

Week 11

Wednesday, 4/2: Delta Wedding; presentation of "Gender and History in Eudora Welty's Delta Wedding," by Susan V. Donaldson. South Central Review 14:2 (Summer 1997), 3-14.

Week 12

Wednesday, 4/9: Invisible Man; presentation of "To Move Without Moving: An Analysis of Creativity and Commerce in Ralph Ellison's Trueblood Episode," by Houston A. Baker, Jr. PMLA 95:5 (October 1983), 828-845.

Week 13

Wednesday, 4/16: The Orchard Keeper; presentation of "Imposition and Resistance in Cormac McCarthy's The Orchard Keeper," by Barbara Jane Brickman. The Southern Quarterly 38:2 (Winter 2000), 123-34.

Week 14

Wednesday, 4/23: Song of Solomon; presentation of"Re-Weaving the 'Ulysses Scene': Enchantment, Post-Oedipal Identity, and the Buried Text of Blackness in Toni Morrison's Song of Solomon," by Kimberly W. Benston. Comparative American Identities: Race, Sex, and Nationality in the Modern Text. Essays from the English Institute. Hortense J. Spillers, ed. (New York: Routledge, 1991), 87-109.

Week 15

Wednesday, 4/30: Beloved; presentation of " 'I made the ink': Identity, Complicity, 60 Million, and More," by Naomi Mandel. Modern Fiction Studies 48:3 (Fall 2002), 581-613.

Week 16

Wednesday, 5/7: A Visitation of Spirits; presentation of "Eloquence and Epitaph: AIDS, Homophobia, and Problematics of Black Masculinity," by Philip Brian Harper. Are We Not Men? Masculine Anxiety and the Problem of African-American Identity (New York: Oxford University Press, 1996), 3-38.


How you will be graded:

Presentation: 30% of the final grade
Final paper: 45% of the final grade
Participation: 25% of the final grade