Spring 2001 Lisa
Trivedi (KJ 164; ext. 4413)
Class time: T 1-4 pm Office
Hours: MW 1:30-2:30
Room: Library 209 Thomas
A. Wilson (KJ 122; ext. 4236)
Office Hours: MR 3:00-4:00
· Books for
purchase
Marco Polo, The
Travels of Marco Polo
(campus bookstore)
Jonathan Spence, The
Chan’s Great Continent
(campus bookstore)
Marguerite Duras,
The North China Lover
(campus bookstore)
Edward
Said, Orientalism (not at campus bookstore)
This
course examines encounters between Asian and Western peoples from Marco Polo to
the present. Focuses on tensions among economic, cultural, and religious aims
of Iberian expansion in the East Indies and the Philippines, rising Dutch
competition for these territories, and later English and French imperial
expansion into southeast and east Asia. Some themes of the course include
problems of orientalism/occidentalism and the myth of the Western
“impact” on Asia by learning about how Asian peoples understood the
West and also about the ways that Europe, too, was affected by these
encounters. Thus we are not concerned about how (or whether) the West
influenced Asian countries in these encounters, but rather the nature of these
contacts and how peoples of different cultures understood those of others.
Your course
grade will be calculated as follows:
Class
participation 20% 5
Precis 30%
Class
facilitation 20% Final
essay 30%
Class
attendance is not optional. You
may miss up to two classes without penalty, but we will lower your final grade
by 1/3 a grade level for each additional class that you miss. We expect that your written work will
be completed on time and according to the directions specified in the
assignment. A late paper will be
marked down 1/3 a grade for each day that it is late. If you are experiencing any difficulty with your coursework,
we urge you to speak with one of us immediately. It is your responsibility to speak to us about any problems
that you are having prior to the deadline; we do not grant extensions on the
day of a deadline. In order to earn
a passing grade in this course, you must complete four precis, a final research
paper, and facilitate class discussion twice during the term.
You
will be writing five précis over the course of the semester. Each précis should be no more
than two pages, double-spaced.
Précis should be emailed to each of us as an attachment by 11 AM
on the day the material is under discussion. Each student will write a précis on 1) a primary
source and corresponding article (e.g., 1/23, 2/13, 2/20); 2) Vicente Rafael
and Roger Hart; 3) on Edward Said and Robert Young 3/6; and 4) on the film
“The Lover” and Duras’ The North China Lover (3/27).
For the fifth précis, you may choose to write on hybritity (e.g.,
2/27), racialization (e.g., 3/27) or conversion (e.g., 2/6, 4/3, 4/24).
Each
student will be required to facilitate class discussion on two occasions over
the course of the semester.
Working in teams, students will develop a concrete set of questions that
are designed to open up discussion of the week’s readings. Each pair will meet with either
Professor Wilson or Professor Trivedi on the Monday preceding the discussion to
plan for the session.
Your final assignment is a
12-17 page essay which examines a primary source within a theoretical framework
raised in the course. For example,
you might choose to analyze a 19th century missionary description of
a Chinese social custom within the context of cultural encounter as considered
in the course. Research
proposals are due March 2nd at 3PM. Please consult the syllabus below for proposal details. All final essays are due at 4PM on May
4th.
1. European Explorations and
Missions 1/16
Film: “Aguirre, The Wrath of God”
(Germany, 1972), 94 mins. Dir. Werner Herzog
Stephen Minta,
“Aguirre, The Wrath of God,” Past Imperfect: History According
to the Movies,
ed. Mark C. Carnes, 74-77
Clifford Geertz,
“Common Sense as a Cultural System,” Local Knowledge, 73-93,
2. Marco Polo and the Silk Route 1/23
Marco Polo, The Travels, 33-73, 108-162, 260-281,
288-294
Jonathan Spence, “The
Worlds of Marco Polo,” The Chan’s Great Continent, 1-18
3. Before European Colonialism 1/30
Janet Abu-Lughod, Before
European Hegemony, 3-38; 292-348
Edward Said, Orientalism, 1-73
Charles Ralph Boxer, The
Dutch Seaborne Empire, 1600-1800, 1-30
Film: “Edward Said” 39 min.
Precis
due at 11AM
Supplementary readings:
Hugh Clark, “Muslims
and Hindus in the Culture and Morphology of Quanzhou from the 10th to the 13th
Centuries,” Journal of World History 6 (1995) 1: 49-74
Louise Levathes, When
China Ruled the Seas, 19-85
4. Conversion Encounters 2/6
Vincente Rafael, Contracting
Colonialism,
xvii-54
Roger Hart,
“Translating Worlds: Incommensurability and Problems of Existence in
Seventeenth-Century China,” positions: East Asian Critique 7 (Spring 1999) 1
Film: “The Mission”
(U.S. 1986), 121 min. Dir. Roland Joffe
Precis due at 11AM
5. European Imaginings of the Orient 2/13
Timothy Billings,
“Visible Cities: The Heterotopic Utopia of China in Early Modern European
Writing,” Genre 30 (1997): 107-136
Ricci, China in the
Sixteenth Century: The Journals of Matthew Ricci: 1583-1610, 3-114
David Mungello,
“Ricci’s Formulation of Jesuit Accommodation in China,” Curious
Land, 44-73
Jonathan Spence, “The
Catholic Century,” The Chan’s Great Continent, 19-40
Supplementary readings:
C.R.
Boxer, The Christian Century in Japan, 1549-1650, 41-90
6. Missions to India 2/20
Ines G. Zupanov,
“Aristocratic Analogies and Demotic Descriptions in the
Seventeenth-Century Madurai Mission,” Representations 41 (Winter 1993): 123-48
(available on J-Store)
St. François Xavier,
selections to be announced
7. Hybrid Identities
2/27
Dean Mahomet, The Travels
of Dean Mahomet, selections
Homi K. Bhabha, “Signs
Taken For Wonders: Questions of ambivalence and authority under a tree outside
Delhi, May 1817,” Critical Inquiry (1985), J
Robert
Young, “The Ambivalence of Bhabha,” White Mythologies: Writings
History and the West, 141-156
Supplementary readings:
Homi K. Bhabha,
“DissemiNation: time, narrative, the margins of the modern nation,”
Nation and Narration, 291-322
Robert Young,
“Hybridity and Diaspora,” Colonial Desire, 1-29
March 2 Research Proposals due by 3PM
Your
proposal must include a thesis statement, a paper outline, a detailed
bibliography (including list of interlibrary loan requests that you have
submitted before the Spring Recess).
Please email your proposals to each of us as attachments.
8. Orientalism 3/6
Edward
Said, Orientalism, 201-225
Robert
Young, “Disorienting Orientalism,” White Mythologies: Writings
History and the West, 119-140
primary
sources on footbinding and sati
Supplementary readings:
Emily Apter, “Harem:
Colonial Fiction and Architectural Fantasm in Turn-of-the-Century
France,” Places Through the Body, 119-132
Picturing the Middle East:
A Hundred Years of European Orientalism, 53-79
Lata Mani, “Contentious
Traditions: the Debate over Sati in Colonial India,” Recasting Women,
88-126
Dorothy Ko, “The Body
as Attire: The Shifting Meanings of Footbinding in Seventeenth-Century
China,” The Journal of Women's History 8 (Winter, 1997) 4: 8-27
9. Racialization & Nineteenth-Century European Colonialism 3/27
Ann Stoler, “Sexual
Affronts and Racial Frontiers: European Identities and the Cultural Politics of
Exclusion in Colonial Southeast Asia,” Becoming National, 286-324
Marguerite Duras, The
North China Lover
Film: “The Lover”
(France 1991) 113 mins. Dir. Jean-Jacques Annaud
Precis due at 11AM
Supplementary readings:
Ann Stoler, “’In
Cold Blood’: Hierarchies of Credibility and the Politics of Colonial
Narratives,” Representations (Winter 1992), 151-189
Michael Banton, “The
Classification of Races in Europe and North America, 1700-1850,” International
Social Science Journal (Feb. 1987), 45-60
**Meeting with Professor(s) to discuss final essays**
10. Cultural Passages 4/3
Uma Chakravarti, Rewriting
History: The Life and Times of Pandita Ramabai, selections
Gauri Viswanathan, Outside
the Fold,
75-152 and 176-207
Film: “Passage to
India” (Eng., 1984), 163 mins. Dir. David Lean. Based on E. M.
Forster’s novel
11. Nineteenth-Century Protestants and Colonialism 4/10
Karl Friedrich August
Gutzlaff (1803-1851), The Journals of Two Voyages along the Coast of China
in 1831 & 1832, 1-124
Frances FitzGerald,
“Apocalypse Now,” Past Imperfect: History According to the
Movies, ed.
Mark C. Carnes (Henry Holt, 1995), 284-287
Johannese Fabian,
“Religious and Secular Colonization,” Time and the Work of
Anthropology,
155-169
Film: “Apocalypse
Now” (US, 1979), 153 mins. Dir. Francis Ford Coppola. (Adaptation of
Conrad’s Heart of Darkness)
Supplementary readings:
Andrew Porter,
“Religion and Empire: British Expansion in the Long 19th Century,
1780-1914,” Journal of Imperial and Commonwealth History 20 (Sept. 1992) 3: 370-90
James Hevia, “Leaving a
Brand on China, Missionary Discourse in the Wake of the Boxer Movement,” Modern
China 18
(1992): 304-332
Otis Cary, A History of
Christianity in Japan (New York: F. H. Revell, 1909), 13-241
Toyohiko Kagawa (1888-1960), Christ
and Japan
(New York, Friendship Press, 1934)
12. Finding God in China 4/17
William Jones Boone, An
Essay on the Proper Rendering of the Words Elohim and Theos into the Chinese
Language
(Canton: Office of the Chinese Repository, 1848)
James Legge, The Notions
of the Chinese concerning Gods and Spirits: with an Examination and Defense of An Essay on the Proper
Rendering of the Words Elohim and Theos into the Chinese Language, by
William J. Boone, D.D (Hongkong: Hongkong Register, 1852)
Lauren Psister,
“Discovering Monotheistic Metaphysics: The Exegetical Reflections of
James Legge (1815-1897) and Lo Chung-fan (d. circa. 1850),” Imagining
Boundaries: Changing Confucian Doctrines, Texts, and Hermeneutics, Kai-wing Chow, et. al., ed.
Supplementary readings:
Murray Rubinstein, The
Origins of the Anglo-American Missionary Enterprise in China, 1807-1840
(Scarecrow, 1996)
13. Radical Converts 4/24
“The Taiping Heavenly
Chronicle,” The Taiping Rebellion 2: 51-79
Jonathan Spence,
God’s Chinese Son: The Taiping Heavenly Kingdom of Hong Xiuquan
14. Hollywood Views of Colonial Encounters 5/1
David Palumbo-Liu, “The
Bitter Tea
of Frank Capra,” positions 3 (1995) 3: 759-789
“The Bitter Tea of General Yen,” dir. Frank Capra (Columbia Films, 1933)