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Zoe Sauvé


SENIOR THESIS ART EXHIBITION


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Zoe Sauvé

zoeesauve@gmail.com

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Class of 2024
Anna Arzeno
Dani Bernstein
Hanna Cillo
Celia Dorsey
Elizabeth Fell
Eliana Good
Freya Langenberg
Rachel Luxton
Elizabeth Pendergast
Gabriella Pia
Kathryn Sands
Christopher Suratt
Class of 2023
Shelly Cao
Elliot Carlson
Surya Gowda
Rachel Han
Claire Harpel
Emlyn Harris
Olivia Holbrook
Katie Jenkinson
Noah Jones
Daniella Metti
Fiona Murphy
Lauren Neese
Irene Park
Juasline Plasencia
Talia Rosen
Mariam Saied
Zoe Sauve
Alexandra Seewald
Kiera Wax
Class of 2021
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Class of 2012
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Zoe Sauvé

Chittenango, NY

Eventually the wood forgets the carving, 2022


2 Photo Slideshow
Excitedly Vulnerable, 2023

Artist Statement

The fat female body is an image seldom portrayed in a serious manner in today’s society. Since coming to Hamilton, I have started to unpack my internalized fatphobia, and have been actively working to provide more representation to fat women through my art. Running parallel to my exploration of body-image is a reevaluation of my sense of place. Born and raised in the Syracuse area, Central New York is all I have ever known. The abandoned houses that litter this part of the state feel as much like home as my actual house. I have always felt a strong connection to these buildings, and through my art I wanted to discover why. In the process of painting, I have realized there are many correlations between societal perceptions of fat bodies and those of abandoned houses. The connections between fatness and derelict houses runs deeper than feelings of abandonment and neglect, as both symbolize a subversion of societal boundaries and control. With no clear owner, abandoned houses exist outside the normal idea of ownership and, by extension, control. Likewise, the fat body exists outside of the societal norm, and by loving the fat body, one is renouncing the control society has on them. I would like to thank the Steven Daniel Smallen Memorial Fund for their generous support.

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